How to Movefonts From Uploads to Usable Blackletter Font Generator
| Latin script, Blackletter hand | |
|---|---|
 | |
| Script type | Alphabet |
| Time period | twelfth – 17th century |
| Direction | left-to-right  |
| Languages | Western and Northern European languages |
| Related scripts | |
| Parent systems | Latin script
|
| Kid systems | Fraktur (Fraktur and blackletter are sometimes used interchangeably), Kurrentschrift including Sütterlin |
| ISO 15924 | |
| ISO 15924 | Latf, 217 , Latin (Fraktur variant) |
| Unicode | |
| Unicode range | 1D504–1D537, with some exceptions (come across below) |
Blackletter (sometimes blackness letter), also known equally Gothic script, Gothic minuscule, or Textura, was a script used throughout Western Europe from approximately 1150 until the 17th century.[i] It connected to be commonly used for the Danish, Norwegian, and Swedish languages until the 1870s,[2] and for the German linguistic communication until the 1940s, when Hitler'due south distaste for the supposedly "Jewish-influenced" script saw it officially discontinued in 1941.[3] Fraktur is a notable script of this type, and sometimes the entire group of blackletter faces is incorrectly referred to equally Fraktur. Blackletter is sometimes referred to as Old English, but it is not to be confused with the Old English linguistic communication (or Anglo-Saxon), which predates blackletter by many centuries and was written in the insular script or in Futhorc. Along with Italic type and Roman blazon, blackletter served as one of the major typefaces in the history of Western typography.
Origins [edit]
Carolingian minuscule was the direct antecedent of blackletter. Blackletter developed from Carolingian as an increasingly literate 12th-century Europe required new books in many dissimilar subjects. New universities were founded, each producing books for business organization, law, grammar, history and other pursuits, not solely religious works, for which before scripts typically had been used.
Various German language language blackletter typefaces
English blackletter typefaces highlighting differences between select characters
Modern interpretation of blackletter script in the grade of the font "Old English" which includes several anachronistic glyphs, such as Arabic numerals, ampersand (instead of Tironian et) and several punctuation marks, only lacks letter alternatives similar long ⟨s⟩ and ⟨r⟩ rotunda, scribal abbreviations and ligatures, and contains several relatively modern versions of letters such every bit ⟨10⟩, which is confusable with the letter ⟨r⟩.
These books needed to be produced chop-chop to go on up with demand. Labor-intensive Carolingian, though legible, was unable to finer continue up.[ citation needed ] Its large size consumed a lot of manuscript infinite in a fourth dimension when writing materials were very costly. As early every bit the 11th century, different forms of Carolingian were already existence used, and past the mid-12th century, a clearly distinguishable form, able to be written more quickly to meet the demand for new books,[ commendation needed ] was being used in northeastern France and the Low Countries.
Etymology [edit]
Folio of a rare blackletter Bible, 1497, printed in Strasbourg by Johann Grüninger, then 1 of the urban center'due south most prolific printers. The cherry-red affiliate initials were handwritten by a rubricator later press.
The term Gothic was first used to draw this script in 15th-century Italy, in the midst of the Renaissance, considering Renaissance humanists believed this way was barbaric and Gothic was a synonym for barbaric. Flavio Biondo, in Italia Illustrata (1474), wrote that the Germanic Lombards invented this script after they invaded Italian republic in the 6th century.
Not only were blackletter forms called Gothic script, just whatsoever other seemingly barbarian script, such as Visigothic, Beneventan, and Merovingian, were also labeled Gothic. This in contrast to Carolingian minuscule, a highly legible script which the humanists chosen littera antiqua ("the ancient letter"), wrongly believing that information technology was the script used past the ancient Romans. It was in fact invented in the reign of Charlemagne, although only used significantly after that era, and actually formed the footing for the after development of blackletter.[iv]
Blackletter script should not exist confused with either the ancient alphabet of the Gothic language nor with the sans-serif typefaces that are too sometimes called Gothic.
Forms [edit]
Textura [edit]
Textualis, also known as textura or Gothic bookhand, was the most calligraphic class of blackletter, and today is the course most associated with "Gothic". Johannes Gutenberg carved a textualis typeface – including a big number of ligatures and common abbreviations – when he printed his 42-line Bible. However, textualis was rarely used for typefaces subsequently this.
Co-ordinate to Dutch scholar Gerard Lieftinck, the pinnacle of blackletter use was reached in the 14th and 15th centuries. For Lieftinck, the highest grade of textualis was littera textualis formata, used for de luxe manuscripts. The usual course, simply littera textualis, was used for literary works and university texts. Lieftinck'due south third form, littera textualis currens, was the cursive grade of blackletter, extremely difficult to read and used for textual glosses, and less of import books.
Textualis was virtually widely used in France, the Low Countries, England, and Germany. Some characteristics of the script are:
- Tall, narrow messages, as compared to their Carolingian counterparts.
- Letters formed by precipitous, straight, athwart lines, unlike the typically round Carolingian; as a outcome, at that place is a high degree of "breaking", i.e. lines that exercise not necessarily connect with each other, particularly in curved letters.
- Ascenders (in letters such equally ⟨b⟩, ⟨d⟩, ⟨h⟩) are vertical and often stop in abrupt finals
- When a letter of the alphabet with a bow (in ⟨b⟩, ⟨d⟩, ⟨p⟩, ⟨q⟩) is followed by some other letter with a bow (such every bit ⟨be⟩ or ⟨po⟩), the bows overlap and the messages are joined past a straight line (this is known equally "biting").
- A related characteristic is the one-half r (also called r rotunda), the shape of ⟨r⟩ when attached to other letters with bows; just the bow and tail were written, continued to the bow of the previous letter. In other scripts, this only occurred in a ligature with the letter ⟨o⟩.
- Similarly related is the form of the letter ⟨d⟩ when followed by a letter of the alphabet with a bow; its ascender is and then curved to the left, like the uncial ⟨d⟩. Otherwise the ascender is vertical.
- The letters ⟨k⟩, ⟨j⟩, ⟨p⟩, ⟨q⟩, ⟨y⟩, and the hook of ⟨h⟩ have descenders, only no other letters are written beneath the line.
- The alphabetic character a has a straight back stroke, and the peak loop eventually became closed, somewhat resembling the number ⟨8⟩. The letter due south frequently has a diagonal line connecting its two bows, likewise somewhat resembling an ⟨viii⟩, but the long south is frequently used in the middle of words.
- Minims, particularly in the later on period of the script, do not connect with each other. This makes information technology very difficult to distinguish ⟨i⟩, ⟨u⟩, ⟨m⟩, and ⟨n⟩. A 14th-century case of the difficulty minims produced is: mimi numinum niuium minimi munium nimium uini muniminum imminui uiui minimum uolunt ('the smallest mimes of the gods of snowfall do not wish at all in their life that the great duty of the defenses of wine be diminished'). In blackletter, this would expect like a series of single strokes. As a result, dotted ⟨i⟩ and the letter ⟨j⟩ were subsequently developed.[5] Minims may likewise have finals of their own.
- The script has many more scribal abbreviations than Carolingian, calculation to the speed in which information technology could be written.
Schwabacher [edit]
Schwabacher was a blackletter grade that was much used in early on German print typefaces. It continued to be used occasionally until the 20th century. Characteristics of Schwabacher are:
- The small letter ⟨o⟩ is rounded on both sides, though at the meridian and at the bottom, the two strokes join in an angle. Other small letters accept analogous forms.
- The minor letter ⟨grand⟩ has a horizontal stroke at its tiptop that forms crosses with the ii downward strokes.
- The capital letter ⟨H⟩ has a peculiar grade somewhat reminiscent of the pocket-sized letter ⟨h⟩.
Fraktur [edit]
Fraktur is a form of blackletter that became the most common High german blackletter typeface by the mid-16th century. Its use was so common that often whatsoever blackletter form is chosen Fraktur in Germany. Characteristics of Fraktur are:
- The left side of the small alphabetic character ⟨o⟩ is formed by an angular stroke, the right side past a rounded stroke. At the superlative and at the bottom, both strokes bring together in an angle. Other pocket-sized letters have analogous forms.
- The upper-case letter letters are compound of rounded ⟨c⟩-shaped or ⟨s⟩-shaped strokes.
Here is the entire alphabet in Fraktur (minus the long due south and the precipitous s ⟨ß⟩), using the AMS Euler Fraktur typeface:
Cursiva [edit]
Cursiva refers to a very big variety of forms of blackletter; equally with mod cursive writing, there is no real standard class. It developed in the 14th century as a simplified class of textualis, with influence from the form of textualis as used for writing charters. Cursiva adult partly because of the introduction of paper, which was smoother than parchment. Information technology was therefore, easier to write chop-chop on newspaper in a cursive script.
In cursiva, descenders are more frequent, particularly in the letters ⟨f⟩ and ⟨s⟩, and ascenders are curved and looped rather than vertical (seen especially in the letter ⟨d⟩). The letters ⟨a⟩, ⟨g⟩ and ⟨due south⟩ (at the finish of a word) are very similar to their Carolingian forms. However, not all of these features are found in every case of cursiva, which makes it hard to make up one's mind whether or non a script may be chosen cursiva at all.
Lieftinck also divided cursiva into 3 styles: littera cursiva formata was the most legible and calligraphic style. Littera cursiva textualis (or libraria) was the usual grade, used for writing standard books, and it mostly was written with a larger pen, leading to larger messages. Littera cursiva currens was used for textbooks and other unimportant books and it had very fiddling standardization in forms.
Hybrida [edit]
Hybrida is also chosen bastarda (especially in France), and equally its name suggests, is a hybrid course of the script. It is a mixture of textualis and cursiva, adult in the early on 15th century. From textualis, it borrowed vertical ascenders, while from cursiva, it borrowed long ⟨f⟩ and ⟨ſ⟩, unmarried-looped ⟨a⟩, and ⟨grand⟩ with an open up descender (like to Carolingian forms).
Donatus-Kalender [edit]
The Donatus-Kalender (also known as Donatus-und-Kalender or D-One thousand) is the name for the metal type blueprint that Gutenberg used in his earliest surviving printed works, dating from the early 1450s. The proper noun is taken from two works: the Ars grammatica of Aelius Donatus, a Latin grammar, and the Kalender (agenda).[half dozen] It is a form of textura.
Blackletter typesetting [edit]
While an antiqua typeface is commonly a chemical compound of roman types and italic types since the 16th-century French typographers, the blackletter typefaces never developed a similar stardom. Instead, they use letterspacing (German Sperrung) for emphasis. When using that method, blackletter ligatures like ⟨ch⟩, ⟨ck⟩, ⟨tz⟩ or ⟨ſt⟩ remain together without additional letterspacing (⟨ſt⟩ is dissolved, though). The use of bold text for accent is too alien to blackletter typefaces.
Words from other languages, especially from Romance languages including Latin, are unremarkably typeset in antiqua instead of blackletter.[seven] Like that, single antiqua words or phrases may occur within a blackletter text. This does not use, however, to loanwords that have been incorporated into the language.
National forms [edit]
England [edit]
Textualis [edit]
Blackletter in a Latin Bible of 1407 Advert, on display in Malmesbury Abbey, Wiltshire, England
English blackletter developed from the course of Carolingian minuscule used there subsequently the Norman Conquest, sometimes called "Romanesque minuscule". Textualis forms developed afterwards 1190 and were used most oftentimes until approximately 1300, after which information technology became used mainly for de luxe manuscripts. English language forms of blackletter take been studied extensively and may be divided into many categories. Textualis formata ("Sometime English" or "blackletter"), textualis prescissa (or textualis sine pedibus, as it generally lacks feet on its minims), textualis quadrata (or psalterialis) and semi-quadrata, and textualis rotunda are various forms of high-grade formata styles of blackletter.
The Academy of Oxford borrowed the littera parisiensis in the 13th century and early 14th century, and the littera oxoniensis form is almost indistinguishable from its Parisian counterpart; however, there are a few differences, such as the round final ⟨s⟩ forms, resembling the number ⟨viii⟩, rather than the long ⟨due south⟩ used in the concluding position in the Paris script.
Handbill of 1715, with the main text in blackletter type, publishing a majestic proclamation for the anticipation of the Jacobite leader Sir William Wyndham
Printers of the late 15th and early 16th centuries commonly used blackletter typefaces, but under the influence of Renaissance tastes, Roman typefaces grew in popularity, until by about 1590 well-nigh presses had converted to them.[8] However, blackletter was considered to be more readily legible (specially by the less literate classes of guild), and it therefore remained in apply throughout the 17th century and into the 18th for documents intended for widespread dissemination, such as proclamations and Acts of Parliament, and for literature aimed at the common people, such as ballads, chivalric romances, and jokebooks.[nine] [10]
Chaucer's works had been printed in blackletter in the late 15th century, but were subsequently more than usually printed in Roman type. Horace Walpole wrote in 1781 that "I am too, though a Goth, and so modernistic a Goth that I detest the black letter of the alphabet, and I love Chaucer meliorate in Dryden and Baskerville than in his own language and apparel."[eleven]
Cursiva [edit]
English cursiva began to be used in the 13th century, and soon replaced littera oxoniensis as the standard academy script. The earliest cursive blackletter course is Anglicana, a very round and looped script, which also had a squarer and angular counterpart, Anglicana formata. The formata grade was used until the 15th century and as well was used to write vernacular texts. An Anglicana bastarda form developed from a mixture of Anglicana and textualis, merely by the 16th century, the main cursive blackletter used in England was the Secretary script, which originated in Italy and came to England past mode of French republic. Secretary script has a somewhat haphazard appearance, and its forms of the messages ⟨a⟩, ⟨g⟩, ⟨r⟩ and ⟨s⟩ are unique, different any forms in whatsoever other English script.
France [edit]
Textualis [edit]
French textualis was alpine and narrow compared to other national forms, and was near fully developed in the late 13th century in Paris. In the 13th century there also was an extremely small version of textualis used to write miniature Bibles, known every bit "pearl script". Some other form of French textualis in this century was the script adult at the University of Paris, littera parisiensis, which also is small in size and designed to be written quickly, non calligraphically.
Cursiva [edit]
French cursiva was used from the 13th to the 16th century, when it became highly looped, messy, and slanted. Bastarda, the "hybrid" mixture of cursiva and textualis, adult in the 15th century and was used for vernacular texts besides as Latin. A more than angular grade of bastarda was used in Burgundy, the lettre de forme or lettre bourgouignonne, for books of hours such as the Très Riches Heures of John, Knuckles of Berry.
Germany [edit]
Schwabacher lettering. The text reads: "Beispiel Alte Schwabacher: Victor jagt zwölf Boxkämpfer quer über den Sylter Deich." Roughly translated to English, it reads "Instance of Old Schwabacher: Victor chases twelve boxers beyond the Sylt dike."
Despite the frequent clan of blackletter with High german, the script was actually very tedious to develop in High german-speaking areas. It adult showtime in those areas closest to French republic so spread to the east and southward in the 13th century. The German-speaking areas are, however, where blackletter remained in utilize the longest.
Schwabacher typefaces dominated in Deutschland from about 1480 to 1530, and the style continued in utilize occasionally until the 20th century. Most importantly, all of the works of Martin Luther, leading to the Protestant Reformation, as well as the Apocalypse of Albrecht Dürer (1498), used this typeface. Johann Bämler, a printer from Augsburg, probably start used it as early as 1472. The origins of the name remain unclear; some presume that a typeface-carver from the village of Schwabach—1 who worked externally and who thus became known as the Schwabacher—designed the typeface.
Textualis [edit]
German language Textualis is ordinarily very heavy and athwart, and there are few characteristic features that are common to all occurrences of the script. One common feature is the utilize of the letter ⟨due west⟩ for Latin ⟨vu⟩ or ⟨uu⟩. Textualis was first used in the 13th and 14th centuries, and subsequently go more elaborate and decorated, likewise equally being reserved used for liturgical works only.
Johann Gutenberg used a textualis typeface for his famous Gutenberg Bible in 1455. Schwabacher, a blackletter with more rounded letters, soon became the usual printed typeface, but it was replaced by Fraktur in the early 17th century.
Fraktur lettering. The text reads: "Walbaum-Fraktur: Victor jagt zwölf Boxkämpfer quer über den Sylter Deich." Roughly translated to English, it reads "Walbaum Fraktur: Victor chases twelve boxers across the Sylt dyke."
Fraktur came into employ when Emperor Maximilian I (1493–1519) established a series of books and had a new typeface created specifically for this purpose. In the 19th century, the apply of antiqua alongside Fraktur increased, leading to the Antiqua-Fraktur dispute, which lasted until the Nazis abandoned Fraktur in 1941. Since information technology was so common, all kinds of blackletter tend to be called Fraktur in German.
Cursiva [edit]
The names of 4 common blackletter typefaces written in their corresponding styles
German cursiva is similar to the cursive scripts in other areas, but forms of ⟨a⟩, ⟨s⟩ and other letters are more varied; hither too, the alphabetic character ⟨w⟩ is often used. A hybrida form, which was basically cursiva with fewer looped letters and with similar foursquare proportions equally textualis, was used in the 15th and 16th centuries.
In the 18th century, the pointed quill was adopted for blackletter handwriting. In the early 20th century, the Sütterlin script was introduced in the schools.
Italia [edit]
Rotunda [edit]
Italian blackletter also is known as rotunda, every bit it was less angular than those produced by northern printing centers. The most mutual form of Italian rotunda was littera bononiensis, used at the University of Bologna in the 13th century. Bitter is a mutual feature in rotunda, but breaking is non.
Italian Rotunda also is characterized by unique abbreviations, such every bit ⟨q⟩ with a line beneath the bow signifying qui, and unusual spellings, such as ⟨x⟩ for ⟨s⟩ (milex rather than miles).
Cursiva [edit]
Italian cursive developed in the 13th century from scripts used by notaries. The more calligraphic form is known as minuscola cancelleresca italiana (or simply cancelleresca, chancery hand), which developed into a book hand, a script used for writing books rather than charters, in the 14th century. Cancelleresca influenced the development of bastarda in France and secretary hand in England.
The Netherlands [edit]
Textualis mixed with select use of Antiqua in an 1853 Dutch edition of the New Testament
Textualis [edit]
A textualis course, commonly known as Gotisch or "Gothic script" was used for full general publications from the fifteenth century on, only became restricted to official documents and religious publications during the seventeenth century. Its employ persisted into the nineteenth century for editions of the State Translation of the Bible, only had otherwise go obsolete.
Unicode [edit]
Mathematical blackletter characters are separately encoded in Unicode in the Mathematical alphanumeric symbols range at U+1D504-1D537 and U+1D56C-1D59F (assuming), except for private letters already encoded in the Letterlike Symbols range (plus long s at U+017F).[12] [13]
This cake of characters should be used only for setting mathematical text, as mathematical texts use blackletter symbols contrastively to other letter styles.[fourteen] For stylized blackletter prose, the normal Latin letters should be used, with font selection or other markup used to indicate blackletter styling. The character names use "Fraktur" for the mathematical alphanumeric symbols, while "blackletter" is used for those symbol characters in the letterlike symbols range.
Mathematical Fraktur:
- 𝔄 𝔅 ℭ 𝔇 𝔈 𝔉 𝔊 ℌ ℑ 𝔍 𝔎 𝔏 𝔐 𝔑 𝔒 𝔓 𝔔 ℜ 𝔖 𝔗 𝔘 𝔙 𝔚 𝔛 𝔜 ℨ
𝔞 𝔟 𝔠 𝔡 𝔢 𝔣 𝔤 𝔥 𝔦 𝔧 𝔨 𝔩 𝔪 𝔫 𝔬 𝔭 𝔮 𝔯 𝔰 𝔱 𝔲 𝔳 𝔴 𝔵 𝔶 𝔷
Mathematical Bold Fraktur:
- 𝕬 𝕭 𝕮 𝕯 𝕰 𝕱 𝕲 𝕳 𝕴 𝕵 𝕶 𝕷 𝕸 𝕹 𝕺 𝕻 𝕼 𝕽 𝕾 𝕿 𝖀 𝖁 𝖂 𝖃 𝖄 𝖅
𝖆 𝖇 𝖈 𝖉 𝖊 𝖋 𝖌 𝖍 𝖎 𝖏 𝖐 𝖑 𝖒 𝖓 𝖔 𝖕 𝖖 𝖗 𝖘 𝖙 𝖚 𝖛 𝖜 𝖝 𝖞 𝖟
Note: (The to a higher place may non return fully in all spider web browsers.)
Fonts supporting the range include Code2001, Cambria Math, and Quivira (textura style).
For normal text writing, the ordinary Latin lawmaking points are used. The blackletter style is so determined by a font with blackletter glyphs.
Run into also [edit]
- Antiqua (typeface course)
- Asemic writing
- Bastarda
- Volume hand
- Calligraphy
- Chancery hand
- Court manus (also known as common law paw, Anglicana, cursiva antiquior, or charter hand)
- Cursive
- Hand (writing style)
- Handwriting
- History of writing
- Italic script
- Law mitt
- Paleography
- Penmanship
- Ronde script (calligraphy)
- Rotunda (script)
- Round hand
- Secretarial assistant hand
References [edit]
- ^ Dowding, Geoffrey (1962). An introduction to the history of press types; an illustrated summary of main stages in the evolution of type pattern from 1440 up to the present day: an aid to type face up identification. Clerkenwell [London]: Wace. p. 5.
- ^ "Styles of Handwriting". Rigsarkivet. The Danish National Archives. Retrieved March 26, 2017.
- ^ Facsimile of Bormann'south Memorandum (in German)
The memorandum itself is typed in Antiqua, but the NSDAP letterhead is printed in Fraktur.
"For general attention, on behalf of the Führer , I make the following proclamation:
It is wrong to regard or to describe the and then-chosen Gothic script as a German language script. In reality, the so-called Gothic script consists of Schwabach Jew letters. Merely as they afterwards took control of the newspapers, upon the introduction of printing the Jews residing in Frg took control of the press presses and thus in Deutschland the Schwabach Jew letters were forcefully introduced.
Today the Führer , talking with Herr Reichsleiter Amann and Herr Book Publisher Adolf Müller, has decided that in the hereafter the Antiqua script is to exist described as normal script. All printed materials are to be gradually converted to this normal script. As presently as is viable in terms of textbooks, only the normal script will be taught in village and state schools.
The use of the Schwabach Jew messages past officials will in time to come terminate; date certifications for functionaries, street signs, so forth will in hereafter exist produced merely in normal script.
On behalf of the Führer , Herr Reichsleiter Amann will in future convert those newspapers and periodicals that already accept foreign distribution, or whose strange distribution is desired, to normal script".
- ^ Berthold Louis Ullman, The Origin and Evolution of Humanistic Script. (Rome), 1960, p. 12.
- ^ "What's The Name For The Dot Over "i" And "j"?". Dictionary.com . Retrieved xxx July 2019.
- ^ John Human being, How 1 Homo Remade the Globe with Words
- ^ Distler, Hugo (c. 1935). Neues Chorliederbuch. Kassel: Bärenreiter-Verlag. Retrieved 1 September 2015.
- ^ Ferguson, Westward. Craig (1989). Pica Roman Blazon in Elizabethan England. Aldershot: Scolar Press. ISBN0859677184.
- ^ Mish, Charles C. (1953). "Black letter as a social determinant in the seventeenth century". PLMA. 68 (3): 627–630. doi:10.2307/459873. JSTOR 459873. S2CID 163769557.
- ^ Thomas, Keith (1986). "The meaning of literacy in early modern England". In Bauman, Gerd (ed.). The Written Word: literacy in transition. Oxford: Clarendon Printing. pp. 97–131 (99). ISBN0-nineteen-875068-four.
- ^ Spurgeon, Caroline F. E. (1923). "Introduction". 5 Hundred Years of Chaucer Criticism and Allusion (1357–1900). London: Chaucer Guild. pp. xliv–xx.
- ^ "Mathematical Alphanumeric Symbols Unicode Nautical chart" (PDF).
- ^ "Letterlike Symbols Unicode Nautical chart" (PDF).
- ^ "22.2 Letterlike Symbols, Mathematical Alphanumeric Symbols". The Unicode Standard, Version 14.0 (PDF). Mountain View, CA: Unicode, Inc. September 2021.
Further reading [edit]
- Bernhard Bischoff, Latin Palaeography: Antiquity and the Centre Ages, Cambridge University Press, 1989.
- Bain, Peter; Shaw, Paul, eds. (1998). Blackletter: type and national identity. Cooper Union for the Advancement of Science and Art. Princeton Architectural Press. ISBN978-1-56898-125-3.
External links [edit]
- 'Manual of Latin Palaeography' (A comprehensive PDF file containing 82 pages profusely illustrated, June 2014).
- Learn Blackletter Online
- Association for the German Script and Linguistic communication
- Pfeffer Simpelgotisch A elementary OpenType blackletter font setting ſ and s by itself
- London Review of Books article about blackletter fonts and font history in general
Source: https://en.wikipedia.org/wiki/Blackletter
0 Response to "How to Movefonts From Uploads to Usable Blackletter Font Generator"
Post a Comment